Oh, I keep reading this, staring at it, and then going off to do something else because I cannot compare to this comment. I really can't. There are no words that will ever express my utter happiness that you liked it. But I shall try because it would be wrong not to.
First, Catullus. If you keep quoting, I'm going to find that, preferably translated as I don't know a lick of Latin. I also wanted it be my nod to you and your lovely stories. As it was used when Eames recreated the scene of Fischer Morrow, it was the one, few pieces that Robert remembered, that single connection they have that is actually genuine.
Second, I never imagined Eames being this much of an arse, but what you said back when he said "I love you" about not feeling like he means it - that stuck with me. It was meant to be the honest truth, but the more I read/wrote it, the less I believed it and needed to figure out what was the truth behind it. Then hesselives poked about the Arthur/Eames/Robert prompt, and I went "LIGHT BULB! It IS Arthur." And here I never wanted to write him into my stories. Oops.
There is going to be an H/C between Arthur/Robert. SPOILER: At this moment, Eames is calling Arthur, he's on his way back, and Eames is going to wait somewhere as the alcohol wears off. The eventual crash is Arthur going up to Robert and Eames going to Mombasa.
. . . I really wish I could get into Eames' head. Either at this point or when he kills Browning to vent his other mistake. Dude has anger management issues when things aren't in his control.
AND I DON'T JUDGE. I <3 YOU AND YOUR CRACK MIND. That and I HAVE a blood kink. A terrible, terrible blood kink that will win over lipstick every time. I might as well turn to knife play if they survive this arc as a threesome. Especially since I have no clue how anyone does PWP. Seriously boggles my mind. I NEED plot to write.
Re: A THOUSAND KISSES FOR YOU.
First, Catullus. If you keep quoting, I'm going to find that, preferably translated as I don't know a lick of Latin. I also wanted it be my nod to you and your lovely stories. As it was used when Eames recreated the scene of Fischer Morrow, it was the one, few pieces that Robert remembered, that single connection they have that is actually genuine.
Second, I never imagined Eames being this much of an arse, but what you said back when he said "I love you" about not feeling like he means it - that stuck with me. It was meant to be the honest truth, but the more I read/wrote it, the less I believed it and needed to figure out what was the truth behind it. Then hesselives poked about the Arthur/Eames/Robert prompt, and I went "LIGHT BULB! It IS Arthur." And here I never wanted to write him into my stories. Oops.
There is going to be an H/C between Arthur/Robert. SPOILER: At this moment, Eames is calling Arthur, he's on his way back, and Eames is going to wait somewhere as the alcohol wears off. The eventual crash is Arthur going up to Robert and Eames going to Mombasa.
. . . I really wish I could get into Eames' head. Either at this point or when he kills Browning to vent his other mistake. Dude has anger management issues when things aren't in his control.
AND I DON'T JUDGE. I <3 YOU AND YOUR CRACK MIND. That and I HAVE a blood kink. A terrible, terrible blood kink that will win over lipstick every time. I might as well turn to knife play if they survive this arc as a threesome. Especially since I have no clue how anyone does PWP. Seriously boggles my mind. I NEED plot to write.